{"id":1464,"date":"2024-04-17T22:14:58","date_gmt":"2024-04-17T22:14:58","guid":{"rendered":"https:\/\/ardegallery.com\/?page_id=1464"},"modified":"2025-07-04T00:45:14","modified_gmt":"2025-07-04T00:45:14","slug":"omar-torres","status":"publish","type":"page","link":"https:\/\/ardegallery.com\/es\/omar-torres\/","title":{"rendered":"Omar Torres"},"content":{"rendered":"

Traduce la p\u00e1gina<\/a><\/p>\n\n\n\n

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Omar Torres<\/h3>

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Ciudad de M\u00e9xico (1977)<\/h2><\/div><\/div>

Omar Torres<\/h3><\/div><\/div><\/div><\/div><\/div><\/div><\/section>\n\n\n\n

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Omar Torres inici\u00f3 su carrera art\u00edstica en 1995 y fue premiado en el Encuentro Nacional\nde Arte Joven de M\u00e9xico en dos ocasiones XV (1996) y XVIII (1998). Su primera\nexposici\u00f3n individual se llev\u00f3 a cabo en 2004 con Printz Gallery en Kyoto, seguida de\nm\u00e1s de 11 muestras individuales con Ricardo Reyes Contemporary Art, a saber, \u201cLa Torre\ny Sus 4 Puntos Cardinales\u201d (2016) ,\u201cEnsayos del Colapso\u201d (2019) y m\u00e1s recientemente\nEvolution Ryokan Gallery CDMX 2022.

Con m\u00e1s de 50 exposiciones colectivas que van desde Galer\u00eda Nina Menocal (2011), Museo Jumex (2017), Museo Nacional de San Carlos (2018), Museo de Arte Sinaloa (2018), Museo de la Canciller\u00eda (2017), Oficinas del Banco Mundial ( 2012) entre otras, a ferias de arte nacionales e internacionales como Maco Foto (2015-2021), Hot Art inn Basel Suiza (2009), Context Miami (2012), Expo Chicago (2016). GIGE Beijing (2008) y KungStar Bolzano, Italia (2007).

Adem\u00e1s de su trabajo personal como artista visual, fue el fundador de dos espacios\nculturales en la Ciudad de M\u00e9xico llamados Central Art Projects (2011-2013) y Sismo Arte\nContempor\u00e1neo (2016-2017). El trabajo de Torres tambi\u00e9n ha sido reconocido por la\nOrganizaci\u00f3n de las Naciones Unidas (2004), el Programa de Arte del Banco Mundial con\n\u201cAbout Change\u201d (2012) y m\u00e1s recientemente primer premio en el Prix de la Photographie\nParis 2021, Premio de la Triennale de Kemeyama 2022 en Jap\u00f3n.

Omar Torres construye escenarios con objetos para presentar situaciones de resistencia y tolerancia en la vida para luego fotografiarlos. Los elementos dependen uno del otro para coexistir en un espacio; la tensi\u00f3n se concentra en detalles que remite al instante previo a caer. La constante transparencia en los objetos guarda relaci\u00f3n con la idea del cuerpo como elemento transparente que nada puede ocultar o disimular; el dolor pesa, la tensi\u00f3n cansa y el equilibrio agota. Torres construye y representa con pocos elementos el estado \u00f3ptimo que se encuentra en un delicado equilibrio, bello por su impermanencia.<\/p><\/div><\/div><\/div><\/div><\/div><\/div><\/section>\n\n\n\n

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T\u00edtulo<\/h3>

Descripci\u00f3n corta<\/p><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section>\n\n\n\n

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